Daniel Eden is a Designer from Manchester, England, living and working in London. He prefers to talk in the first person.

Amongst thousands of photos, it’s easy to lose track of my favorites. This little website serves as a home for the photos I’m most proud of.

You can follow me on Twitter and Instagram.

A French bulldog relaxing in a sun-bathed spot on a wooden floor.

Leica Q, ƒ2.2, 1/1000 sec, 28.0mm, ISO 100

Seven Finches are perched on intertwined branches, against a colourful blue and peach wall.

Leica Q, ƒ1.7, 1/125 sec, 28.0mm, ISO 500

A field of sheep, with one sheep in the centre of the frame, looking over its shoulder. There's a concrete structure in the background. The sun is beginning to set, and there are clouds rolling in over the hills.

Leica Q, ƒ1.7, 1/500 sec, 28.0mm, ISO 100

A dramatic landscape in Scotland. Jutting rocks and mountains, covered in grass, are struck by beams of sunlight coming through the clouds.

Leica Q, ƒ1.7, 1/1600 sec, 28.0mm, ISO 100

A vibrant blue sky is contrasted by the orange and yellow walls of a building. The building has a plain brick facade on one side, a distressed, painted and papered wall on another side, and yet another, bold yellow-painted surface behind it.

Leica Q, ƒ1.7, 1/10000 sec, 28.0mm, ISO 100

Yosemite valley pictured in the afteroon, with two sheer mountain faces surrounding a valley of trees. A haze in the distance causes faraway mountains to recede.

Leica Q, ƒ9, 1/250 sec, 28.0mm, ISO 250

A lone, bright red Chinese lantern strung on a line contrasts against a blue sky.

Leica Q, ƒ1.7, 1/6400 sec, 28.0mm, ISO 100

A man stands in the shadow of a church's entryway, his back to the camera and one hand covering his mouth.

Leica Q, ƒ1.7, 1/12000 sec, 28.0mm, ISO 100

A gushing glacial stream, surrounded by evergreen trees.

Sony a6000, ƒ16, 1/200 sec, 12.0mm, ISO 400

Buildings are backlit by a setting sun and reflected on the surface of Lake Merritt in Oakland, California.

Sony a6000, ƒ1.8, 1/4000 sec, 24.0mm, ISO 100

A man sits on a piece of concrete architectural art in a gallery, his back turned to the camera. The gallery is well-lit and otherwise quite empty.

Sony a6000, ƒ4.5, 1/60 sec, 24.0mm, ISO 100

A dimly-lit room is illuminated by a single window. The walls are a deep aubergine colour, with wood panels on the wall.

Sony a6000, ƒ1.8, 1/250 sec, 24.0mm, ISO 100

San Francisco shot at twilight, taken from the peak of Twin Peaks, with the trails of a passing car in the foreground.

Sony a6000, ƒ8, 8 sec, 12.0mm, ISO 100

A person lies alone under the shade of a parasol on a sandy beach.

Sony a6000, ƒ2.8, 1/4000 sec, 19.0mm, ISO 200

An installation from Richard Serra inside the dia:Beacon gallery is backlit by a large window, casting a beam of light into center of the art piece.

Sony a6000, ƒ4, 1/60 sec, 19.0mm, ISO 125

A brown horse stands in a field on a sunny day. Rivers and mountains are seen in the distance.

Sony a6000, ƒ9, 1/320 sec, 35.0mm, ISO 100

San Francisco's Golden Gate Bridge, as seen from the Marin Headlands. San Francisco is obscured by fog, but blue sunny skies can be seen above the bridge.

Sony a6000, ƒ10, 1/125 sec, 19.0mm, ISO 100

The foyer of Chicago's Field Museum, brightly lit by daylight. People are walking around the foyer, taking photos of dinosaur skeletons.

Sony a6000, ƒ2.8, 1/60 sec, 19.0mm, ISO 200

A woman kneels by water to photograph Chicago in the distance. The sun has just risen, casting the horizon in a golden glow.

Sony a6000, ƒ2.8, 1/40 sec, 19.0mm, ISO 200

The interior of one of the dia:Beacon galleries. A man stands in the foreground, which is artifically illuminated in a yellow light, taking a photograph. A woman in the background is walking across the hallway, which is illuminated by bright daylight.

Sony a6000, ƒ4, 1/60 sec, 19.0mm, ISO 200